The state-owned Nanjing Xinlian Machinery Factory (military code "924Factory") was built with Soviet assistance in 1959. lt was a large-scalestate-run military industrial enterprise that primarily produced radars. In 197gthe factory underwent a "military-to-civilian" conversion and manufactured itsirst household air conditioner branded "Bole," The fate of this Soviet-assistecouildina refectethe chanaes in the China-Russia (formerly the SovietUnion)relationshipover the past 70 vears: from beina close allies tobecoming adversaries and then rebuilding their relationship aaain. In 2004.corruption led to losses, which eventually led to the bankruptcy of theenterprise and resulted in 2.800 emplovees being laid off. In 2022, this'witness of history" was demolished. The ruins have been eroded by windand rain,As the materials continued to decay, structural collapse andsianificant damage started showing In this work, l focus on archived images to conduct research. fieldinvestiaations, and photoaraphy, unearthing the individual information: blurs the boundaries between the past and theforaotten by history. The piecepresent, and the public and the private. lt exhibits how today's daily life canrenovated or re-opened for the public.be unfurled in this historicalrelic、tthis building wreckaa neaecteo body asection of histom andrelationship without social memory that's sealed, buried, and forgotten

In the photographic project déjà vu, l explored the idea of déjà vu - thatmysterious sense of being familiar with something - by constructing aninstallation consistina of two mirrors, The desian of the installation isinspired by the sense of infinite circulation in déjà vu, symbolizing theblurred border between memory and reality This installation uses twowirrors to refectimades creatnd 2space that seems to extend endlessly, i have placed obiects andphotoaraphs in the space that have been in contact with this feeling l havehad, such as mahiona,teapots, and candles, and people not onlyexperience the infinite extension visually but also resonate psychologicallyand emotionally with the objects in the installation, exploring personalmemories, cultural identities, and meaninas of existence, The photoaraphsrepresent a sense of déià vu, while the placed obiects represent theenvironment in which normalcy takes place. The repetition of light. color.and obiects mimics the experience of déià yu-a fraament of memory tharesonates in our minds as familiar yet impossible to fully grasp.

“0824” is a series ofAl photographs and installntal change on human beings and theEarth's ecosystem,Throuch the fctional story ofthss the clobe due to the mutation ofmarine organismsaused by the discharge ofnucleental crisis and itsstem but also reflects deeply on thear-reaching impact on indiyidueationshin bon to nrotecting theenyironment ential of Al art to express socialissues Faclhe aim ot the proiect is tot caused bu the release ofnuclear wastewgter in lanan.hoto in the series is a keu scene inwhich leads to the mit fish that looks like an island when he is out fshing and eat.1:a5avecome fewer and fewer, and people have no choice but tohe "truit" on the back ot the hsh, which eads to his nhvsicaat the mutant fsh which leads to nhysical mutatuollu onroad from cooctol c't'oo to tho wholo would Whonrenerating picturesposition,the characters looks andto cescribein cetai the wnovements, the strength ot the degree ot mutaton, etc,to control whether the picture is the stylistic eflect I want, After generating the pictures.vill do nost nrocesing on the nictures that need to be modiGed in some details to tell the story about the contamination ofthe marine enyironmenfter the discharge of nuclear wastewater that leads to the mutation of marine organisms and to reveal the wide-ranging impacts of the phenomenow indiwviduals, communities and even the whole worid The images emphasize the urgency ofenyironmental change, eaving an onen ending thatnspires the audience to think dee n on the ability of human beings to cope with0824 is not ony an artistic creatransparent rectangle flled with water and covered it with a laver of gauze, The water.t.It provides a uniaue perspective,I posted the photo on ?e confused about their future, From the perspective ofAl creation, iepresents the ocean, and through theHows viewers to re-examine our relationship with the natural worid and to think about how we can work together to mitigate the impact ofhumaictivities on the enyironment and to realize a sustainable coexistence, Assisted by the emerping form of Al photography it trieeers discussions aboucreative expresion and technoloey Al gives photogranhy more possibilities, and through Al photography we can produce many shoting anglesand content that are dificut to realize in reality. We can also show many works that are beyond the inherent thinking of most people. Through thisproject, I hope to inspire people to care about and act on the future ofour common home

We have experienced a long period of social isolation andanti-pandemic measures in the context of the COVlD-19 pandemicong-term isolation that stops all kinds of socialization has created .;. This proiect focuses onhe nsvcho 0auma of the nost nandemic and various onensbarren arasslands,school playarounds,and snowyCenessuburbs.to showhelplessness and loneliness that l felt during thatspecial period.ltried to capture those emotional fragments burieddeep inside my heart and express the silence of trauma in each photoEach photo is an individual moment that records the emotional proces.I experienced in my loneliness. This is a self-analysis of psychologicaltrauma and also a silent challenge to the viewers.